Tabu on the other hand, starts enquiring more about this army officer, while she was still on phone with her daughter, as she suspected the sole survivor captain to be the terrorist in disguise. The macho officer cracks a silly sexist joke again, “all these wives are the same naggers I tell you, she must have nagged him on some thing like kheer or halwa which have forced him to run away.” In continuation with the same scene, one of the junior officers is heard talking about a certain Army officer’s wife getting worried about her husbands whereabouts as she didn’t hear from him for weeks, whereas the army had this information that, her husband had recently faced an encounter with the terrorists and was the soul survivor of that scuffle but was now safe and sound. She says (in hindi), “I know my child that you don’t like Kheer much and but halwa, but have it if grand ma have made it with love.” Hearing this her macho male counterpart who has been outshined by her presence passes some silly comment, like “yeah right mom is going to save the country” which Tabu coolly ignores. To make things subtle yet assertive we have a scene where Tabu talks to her child on cell phone. Without much ado (no she isn’t Tejaswini) she proves she is sharper, smarter and more dedicated to her job than her male counterpart. And then tyaagi enters and behold, we have Tabu a lady officer in ‘Tyaagi’. Interestingly, all references to Tyaagi so far were, very smartly made in gender neutral statements. As the audience hear more about officer Tyaagi, they expect to see a dashing Sunny Deol ala Damini or an Om Puri or a Sunil Shetty entering the scene. The other major officers of the department soon began to talk about Tyaagi in part jealous and part respectful voices about the posting and taking over the case. A fierce intelligence officer who have been specially deployed to track down this deadly terrorist. This when we don’t have a secret nikaah happening between them at any point, which could justify the pregnancy in the moral police’s eyes.
Acceptance comes without arguments for or against. Second, we have Kajol’s parents for whom acceptance of their daughter’s pregnancy without marriage is a given fact. Who doesn’t want the man to have a guilt conscious for having slept with her without commitments, she takes complete responsibilities of her feelings and desires both of heart and body, and takes pride, with her head held high, in giving the man his freedom to follow his priorities, without trying to cling on to him for a support system.
In Fanaa we have many such moments for which I want to thank Kunal, a person I adore since his small screen days as a film critique himself.įirst up, we have Kajol, a middle class Muslim girl, for whom pre marital sex isn’t a sin. But with Aamir and Kunal there I knew Fanaa won’t fail me. Destiny forced him to knock at her door 7 years later leading to questions of life and death.Ĭoming from a banner known for its patriarchal movies, one wouldn’t expect Fanaa to be any different. He then plotted his own death and fled away from her life.
She didn’t fall in love with a terrorist because love is blind and so is she but because he pretended to be a tourist guide. In few lines Fanaa is a love story between a terrorist and a middle class girl who is blind. Kunal Kohli film Fanaa, starring Aamir Khan and Kajol made under Yashraj Films. What I am going to do is wear my little feminist glasses and salute those rare moments in our mainstream movies, those which don’t otherwise deal with topics of gender, patriarchy or feminism, and yet reflects gender deconstructions and at the same time, express my disappointment at those which re affirms the same notions. I am not going to tell you what the film was about neither am I going to advice you for or against a certain film. I am not here to guide you through your movie watching ordeals. Feminist reviews are not meant to give a verdict on the quality of the film. Definitely not a film review that one reads and decides whether to watch the film in the theaters or not. Secondly, I think all critiques are crap. First, I am not at all a movie buff, I used to be one, there was a time when I was to live on ‘films’, but then things ‘change’.
But I gotta be a bit different, so I have decided to introduce a new category in my writings, feminist critical review.īefore I begin I must make some confessions. No more blues.įilm / Book reviews are one of the most commonly seen content on the blogs around the globe. Time for my blog to wear different colors. With the change of Job, place, people I have recently changed one more thing in my life. Or let’s say I move on from one to the other. I don’t stay tuned to anything, body, person, concept, thought, believe, system, discipline, logic, reason, philosophy for too long. I know just one way of living life, change. That’s not my line but I particularly like it.
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